Track Listing
| Disc 1: The Twilight Zone | ||
|---|---|---|
| 1. | The Twilight Zone '85 Main Title (Merl Saunders and The Grateful Dead) | 0:54 |
| 2. | A Small Talent for War (Christopher Young) | 2:11 |
| 3. | A Matter of Minutes (Christopher Young) | 6:36 |
| 4. | A Message From Charity (Basil Poledouris) | 11:42 |
| 5. | Monsters! (Basil Poledouris) | 12:31 |
| 6. | Profile in Silver (Basil Poledouris) | 7:50 |
| 7. | Song of the Younger World (Basil Poledouris) | 13:11 |
| 8. | Still Life (Kenneth Wannberg) | 10:36 |
| 9. | Voices in the Earth (Dennis McCarthy) | 8:40 |
| 10. | The Twilight Zone '85 End Title (Saunders and The Grateful Dead) | 0:47 |
| Disc Time: | 74:58 | |
| Disc 2: The Twilight Zone | ||
| 1. | What Are Friends For? (J.A.C. Redford) | 11:27 |
| 2. | Dead Woman's Shoes (Craig Safan) | 11:11 |
| 3. | Wong's Lost and Found Emporium (Craig Safan) | 8:58 |
| 4. | The Uncle Devil Show (Craig Safan) | 4:49 |
| 5. | Opening Day (Craig Safan) | 14:30 |
| 6. | To See the Invisible Man (Craig Safan) | 12:08 |
| 7. | Tooth and Consequences (Craig Safan) | 6:17 |
| 8. | Teacher's Aide (Craig Safan) | 9:36 |
| Disc Time: | 78:56 | |
| Disc 3: The Twilight Zone | ||
| 1. | A Day in Beaumont (Fred Steiner) | 13:40 |
| 2. | The Last Defender of Camelot (Elliot Kaplan) | 15:30 |
| 3. | The Elevator (Arthur Kempel) | 8:08 |
| 4. | Her Pilgrim Soul (William Goldstein) | 13:48 |
| 5. | The Card (William Goldstein) | 7:51 |
| 6. | Time and Teresa Golowitz (William Goldstein) | 11:21 |
| 7. | THE EXTRAS: How About You? (Time and Teresa Golowitz, Ralph Freed, and Burton Lane) | 1:59 |
| 8. | Circe Grove (Opening Day) | 4:56 |
| 9. | Vampire Vamp (Monsters!) | 1:12 |
| Disc Time: Total Album Time: |
78:25 232:19 |
|
Related Albums
Twilight Zone: Her Pilgrim Soul / The Card / Time & Teresa GolowitzNew Gold Music
Released: March 17, 2015
Format: Digital (34 min)
From the Manufacturer
Submitted for your approval, Intrada presents 22 scores from these first two seasons of the mid '80s revival of The Twilight Zone. Featuring an array of talented composers, the scores are bound together by the composers' willingness to chart that middle ground between light and shadow, between science and superstition—a "dimension of sound" that could only have emerged from The Twilight Zone.
In conjunction with keyboardist and longtime Dead-associate Merl Saunders, the Grateful Dead collaborated on the main title, which conjures a uniquely creepy vibe, while incorporating Constant's iconic motif. Additionally, the following episodes are included, moving from purely orchestral to entirely electronic, sporting a myriad of styles reflecting the range of colorful story lines.
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