Soundtrack Information
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Track Listing
1. | You tried to warn me | 2:33 |
2. | Le ragazze dell'arcipelago | 3:05 |
3. | Stoccolma, my dear | 2:24 |
4. | Mah na' mah na' | 1:54 |
5. | Essere donna | 2:54 |
6. | Notte di mezza estate | 2:33 |
7. | Sequenza psichedelica | 2:27 |
8. | Violenza | 1:42 |
9. | Fotomodelle | 2:15 |
10. | La signora cameriera | 2:34 |
11. | Solitudine | 3:51 |
12. | Free in minore | 2:04 |
13. | Piano bossa nova | 1:31 |
14. | Stoccolma, my dear | 2:46 |
15. | Notte di mezza estate | 3:00 |
16. | Solitudine | 2:07 |
17. | Nel cosmo | 3:22 |
18. | Topless party | 3:02 |
19. | Solitudine | 2:17 |
20. | Eva svedese | 2:15 |
21. | Hippies #1 | 2:38 |
22. | Solitudine | 2:11 |
23. | Hippies #1 | 2:56 |
24. | L'uomo integrato | 1:51 |
25. | Samba mah na' | 2:18 |
26. | Organo e chitarroni | 1:43 |
27. | Beer, vermouth e gin | 2:03 |
28. | Viaggio nell'inconscio | 1:58 |
29. | Contestazione | 2:29 |
30. | Sleep now little one | 3:15 |
Total Album Time: | 73:58 |
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From the Manufacturer
Svezia, inferno e paradiso is one of the most important scores in Piero Umiliani's lengthy career. Featuring the narrating voice of Enrico Maria Salerno (and Edmund Purdom for the international version), it is a perfect movie when it comes to showcasing Umilani's creative freedom. It's a live-action collage that portrays the young and uninhibited, women-only clubs, violent motorcycle gangs, alcohol, drugs, sex shops and so on, everything with a style that blurs the line between journalism and voyeurism. The music expands, recounts and underlines sequences with themes that go from pop beats to bossa nova, from refined lounge jazz to the cue that exploded into a cult phenomenon, "Mah Nà Mah Nà," created simply to accompany a group of blond women inside a sauna (the original cue was entitled "Viva la sauna svedese") and eventually becoming a pop music hymn.
Svezia, inferno e paradiso's score is of an embarrassment of riches. Through this album, Umiliani gave life to popular themes and familiar sonorities without sacrificing his art, making use of top-ranking musicians such as Gato Barbieri (saxophone), Carlo Pes (guitar) and Antonello Vannucchi (keyboards), not to mention singer Lydia McDonald. Umiliani crafted real musical gems, refined and pleasant, making use of one of his best features: the ability to blend sound and rhythm. Apart from "Mah Nà Mah Nà," there are cues such as "Topless Party," the Latin grooves of "Piano Bossa Nova," the psychedelic rock of "Nel Cosmo" and the wonderful torch song "You Tried to Warn Me," which we never get tired of listening to. That's the key, really; we need to listen to those cues again and again in order to discover the particulars, elegant and complex arrangements that hide behind the first impression.
The album was released by Umiliani's family's label, Omicron (LPM 0014) and incredibly, on that edition, "Mah Nà Mah Nà" was absent from the track list. The movie was so successful that an American distribution company (Avco Embassy) wanted to publish the album for a USA release on Ariel label, and they immediately recognize this cue's force.
It was chosen for the 45 RPM release and made it to number 55 on the Billboard charts in the USA, gaining even more popularity after it was featured on The Muppet Show, the puppet TV series created by Jim Henson.
This new edition features the original artwork used for the first album release (of which only several hundred copies were pressed, making it a cult object among collectors) and includes every single note recorded for the movie.
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