Soundtrack Information
Rising Sun - Expanded
Limited Edition of 1,000 Copies
Kritzerland (KR 20026-5)
Release Date: September 24, 2013
Conducted by Toru Takemitsu
Format: CD
Music From
Music By
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Track Listing
1. | Taiko Drum Opening (Performed by Seiichi Tanaka and the San Francisco Taiko Dojo) | |
2. | Board Meeting | |
3. | Drive to Connor's Loft | |
4. | Girl on Table | |
5. | Web Meets Connor | |
6. | Crime Scene | |
7. | Body Examined | |
8. | Arrival at Apartment | |
9. | Checking out the Apartment | |
10. | Driving | |
11. | Eddie Revealed on Disc | |
12. | Looking at the Disc | |
13. | Chase | |
14. | Golf Course | |
15. | So Eddie Witnessed the Murder | |
16. | Yakuza Pursuit | |
17. | Car in Alley | |
18. | Security Room | |
19. | Web's Confession | |
20. | Eddie's Alive | |
21. | The Hall | |
22. | Eddie's Showdown | |
23. | Mystery Figure Revealed | |
24. | Senator Morton Gets Faxed | |
25. | Interrogation | |
26. | Nakamoto Steps | |
27. | Cemented | |
28. | Always Leave the Cage Door Open | |
29. | Credits | |
30. | Source Music | |
31. | Don't Fence Me In (Cole Porter) | |
32. | Single Petal of a Rose (Duke Ellington) | |
33. | Medley (Credits – short version) | |
34. | Tsunami (Performed by Seiichi Tanaka and the San Francisco Taiko Dojo) | |
Track lengths not available for this album. If you have track length/time information for this album, please e-mail it to us at mail@soundtrack.net and we will add it to the database. |
Related Albums
Rising SunTwentieth Century Fox Film Scores (07822-11003-2)
Released: July 27, 1993
Format: CD (39 min)
From the Manufacturer
For Rising Sun, one of the smartest decisions director Philip Kaufman made was hiring the incredible Japanese composer, Toru Takemitsu. It was a bold choice and a choice that really paid off.
Takemitsu wrote a very long score for the film, but in the end several incredible cues went unused and the music that was used was occasionally truncated and moved around. A CD release of the score did not present it in the best light, with a short running time and several pieces not by Takemitsu. The general impression was that Takemitsu's score just wasn't that interesting.
We're hoping that this first-ever complete CD release will change that view because hearing the score as Takemitsu wrote it is an entirely different experiencean addictive, mesmerizing neo-noir tone poem of exquisite orchestral color and sounds (including wonderful use of the Ondes Martinot), with a great main theme that weaves itself in and out of the score like wisps of smoke.
It is a major rediscovery and one that would hopefully put the music's reputation firmly where it belongsas one of the best and most interesting scores of the 1990s. The previous CD release had only about twenty-six minutes of Takemitsu's score. This release adds over forty minutes of score cues and the score is presented as it was meant to be heard in the film.
This release is is limited to 1,000 copies only.
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