Soundtrack Information
Jaws 3-D - Expanded
Intrada (Special Collection Vol. 322)
Release Date: May 25, 2015
Conducted by Alan Parker
Format: CD
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Track Listing
Disc 1: Jaws 3-D | ||
---|---|---|
1. | Jaws 3-D – Main Title† (Film Version) | 3:32 |
2. | First Underwater | 0:26 |
3. | Shark Thru The Gate | 0:27 |
4. | Kay Rides The Whale | 1:59 |
5. | Sean Arrives | 2:28 |
6. | Overman's Last Dive † | 1:19 |
7. | Love Scene (Revised) | 1:52 |
8. | Boys In The Raft | 0:16 |
9. | Kay Meets Phillip (Revised) | 1:21 |
10. | Underwater Kingdom And Shark Chase | 4:21 |
11. | Dolphin Chase (Revised) | 1:16 |
12. | Sub Search (Revised) | 3:56 |
13. | Phillip's Gear | 0:22 |
14. | Night Capture† (Revised) | 4:59 |
15. | Shark Drop | 0:19 |
16. | It's Alive / Seaworld Opening Day / Silver Bullet | 2:36 |
17. | Baby Shark Dies | 1:17 |
18. | Tunnels And Tentacles† | 1:34 |
19. | Almost But No Bite | 0:36 |
20. | Restaurant Source (Flute & Harp) | 4:15 |
21. | Shark Loose | 0:26 |
22. | Shark Attacks Skiers† | 1:31 |
23. | Shark Attacks Kelly† | 1:11 |
24. | Shark Rams Tunnel† (Revised) | 0:43 |
25. | Panic At Seaworld | 0:47 |
26. | Live Bait | 1:04 |
27. | Ready To Dive | 0:37 |
28. | Phillip's Demise† (Revised) | 4:01 |
29. | Shark Breaks Loose† | 0:34 |
30. | Pull The Pin† (Revised) | 0:38 |
31. | Shark Wants Out† | 0:18 |
32. | Shark Chases Mike And Kay† (Revised) | 2:11 |
33. | We're Saved | 0:43 |
34. | Shark Thru The Window† | 0:35 |
35. | The Shark's Gonna Hit Us† | 2:43 |
36. | Shark Guts | 0:17 |
37. | Jaws 3D End Titles | 4:08 |
Disc Time: | 61:38 | |
Disc 2: Alternate Score / Source Music | ||
1. | ALTERNATE SCORE: Jaws 3-D – Main Title† (Original Version) | 2:58 |
2. | Attack (Telex Version) | 1:34 |
3. | Attack (Revised) | 1:41 |
4. | Kay And Mike's Love Theme (Original) | 2:17 |
5. | Boys In The Raft (Revised) | 0:20 |
6. | Kay Meets Phillip | 1:58 |
7. | Shark Chase And Dolphin Rescue† | 1:24 |
8. | Dolphin Chase† (Telex Version) | 1:33 |
9. | Sub Search [Short] | 0:17 |
10. | Night Capture† | 4:51 |
11. | Park Opening (Revised) | 1:15 |
12. | Shark Rams Tunnel† | 0:45 |
13. | Phillip's Demise† | 4:58 |
14. | Pull The Pin | 0:32 |
15. | Saved By The Dolphins† | 2:04 |
16. | Shark Thru The Window† (Telex Version) | 0:30 |
17. | Finale (Alternate) | 1:48 |
18. | Shark Theme† (Utility No. 1) | 0:17 |
19. | Shark Theme† (Utility No. 2) | 0:28 |
20. | Grouper Head (Alternate) | 0:23 |
21. | Sting 1 | 0:06 |
22. | Sting 2 | 0:07 |
23. | Sting 3 | 0:06 |
24. | Sting 4 | 0:06 |
25. | SOURCE MUSIC: Rock Bar Source | 2:14 |
26. | Rock Bar Source (Alternate) | 2:40 |
27. | Lunch Restaurant Source | 1:17 |
28. | Apartment Source | 2:43 |
29. | Guitar Show | 1:33 |
30. | Country Music Show | 1:40 |
31. | Exterior Bar Source | 0:39 |
32. | Hawaiian Drums | 0:35 |
Disc Time: Total Album Time: |
45:39 107:17 |
Related Albums
Jaws 3-DLimited Edition
Intrada (Special Collection Volume 54)Released: December 11, 2007
Format: CD (36 min)
From the Manufacturer
Track Listing Legend:
† Contains Theme from Jaws by John Williams
For this latest edition in the Intrada Special Collection, Intrada has revisited an earlier Special Collection releaseAlan Parker's score to Jaws 3-Dand remixed and reassembled the entire score for this 2-CD set. Although Jaws 3-D was Parker's his first feature film assignment, he delivered an exciting and sometimes even romantic score, being the first Jaws score to feature a love theme. It is a rousing mixture of his own original material and the world-famous John Williams theme. Like Williams' Jaws 2, it frequently takes a high-spirited approach, emphasizing the fun nature of the Sea World setting, with the main title featuring both the shark theme and a rousing motif for the water-skiers.
Parker composed and conducted enough music for two pictures. He made numerous rewrites and often recorded two different versions of his cues, recording one version at a given session, then making significant changes that altered not only the timing but the tone and intensity of the cue involved and recording the new version during another session. In the final cut, almost all of Parker's cues are truncated, with a large portion of them being used in places for which they were not originally intended. For this release Intrada was provided with all the original 1" eight-channel scoring session masters of every cue; the ½" 15 ips Dolby A-encoded three-channel stereo mixes of all of the rewrites, overlays, stingers and other short bits; and the 1/4" 15 ips Dolby A-encoded two-track stereo mixes of the source cueseverything that was recorded in London between late April and mid-June of 1983.
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