Soundtrack Information
House of the Devil
Deluxe Gatefold is Limited Edition
Death Waltz Recording (DW26)
Release Date: September 27, 2014
Format: Vinyl
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Music By
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Track Listing
1. | SIDE 1: House Of The Devil Opening Theme – Mike Armstrong | |
2. | Opening | |
3. | Family Photos | |
4. | The View Upstairs | |
5. | Original Inhabitants | |
6. | Meeting mr. Ulman | |
7. | Keep The Change | |
8. | Footsteps | |
9. | Mother | |
10. | SIDE 2: Chalice | |
11. | On The Run | |
12. | Lights Out | |
13. | He's Calling You | |
14. | The House Of The Devil | |
15. | Mrs. Ulman | |
Track lengths not available for this album. If you have track length/time information for this album, please e-mail it to us at mail@soundtrack.net and we will add it to the database. |
Related Albums
The House of the Devil / I Can See YouMovieScore Media (MMS-09026)
Released: November 10, 2009
Formats: CD, Digital (64 min)
From the Manufacturer
Black Vinyl Edition: 180g black vinyl housed in a heavyweight 350 GSM sleeve with sleevenotes by Jeff Grace. Comes with a poster of the cover art.
Red Vinyl Edition:
180g red vinyl housed in a heavyweight 350 GSM sleeve with sleevenotes by Jeff Grace. Comes with a poster of the cover art.
Deluxe Gatefold Edition:
180g black with red splatter vinyl,housed in a heavyweight tip-on, case-bound gatefold sleeve printed on beautiful textured Galtex Prima card containing an exclusive full colour booklet with liner notes by composer Jeff Grace, Director Ti West, star A.J Bowen and artist Tom Hodge with an OBI strip. One off pressing of 400 units worlwide.
Death Waltz Recording Company are proud to present Jeff Grace's score to The House of the Devil, Ti West's acclaimed shocker that homages and celebrates films from one of the true golden ages of horror cinema. The film has a certain period aesthetic that is reflected in its brooding and slow-burning score. Whilst it starts with an electric guitar and synth piece that immediately sets the mood and the time, Grace's score doesn't immediately hit you over the head, instead building itself up over time and increasing intensity while always being absolutely unsettling.
The score begins in a minimalistic way, with delicate piano providing an eerie and foreboding presence. There are flashes of beauty amongst the sinister, with a solo violin providing a brief but exceptional moment of escape, but even that feels uncomfortable. Things start to heat up soon after, with the introduction of frantic strings to jolt you before Grace opens up with massive synths and insectoid violins in a glorious moment of musical confrontation, and from there on you're in for a terrifying treat, with a final act that cements the score as a modern classic. This is a house you'll want to return to again and again.
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